A man is out for justice after a group of corrupt police officers are unable to catch his wife's killer.

When Spencer King, a United States Marine, returns home from a horrific wartime experience, his mundane reality leads him to gravitate towards a new and mysterious woman on her own determined journey. Together, they enter into a magical but destructive new relationship which ultimately exposes their essential truths.

John is a kindly, well-liked old man in a small rural town. John has just killed a man named Dutch. Dutch had done a lot of bad things to a lot of nice people. Nobody in town would think to implicate John - nobody but Danny, Dutch's violent drunk of a brother. John's nephew Ben arrives from Chicago on an impromptu trip to his hometown as his uncle struggles to evade Danny's growing suspicions and looming threats. In this masterfully acted tale of small-town intrigue, one man's need for revenge may cost many more their lives.

Four Hispanic high school students form a robotics club under the leadership of their school's newest teacher, Fredi. With no experience, 800 bucks, used car parts and a dream, this rag tag team goes up against the country's reigning robotics champion, MIT. On their journey, they learn not only how to build a robot- they learn to build a bond that will last a lifetime.

Eli McAllister, our eleven-year-old hero, is on a quest. He is also setting out to win The Fiesta Cup, a local bowling tournament. Joining him is his famous fashion designer uncle, Sean McAllister (Adrian Grenier.) Sean hasn't spent time with his family - specifically his father - for years. But now he has come home to spend time with his older brother, Eli's father. Thrown into the tournament as his ailing brother's substitute, Sean clashes with his father as old wounds are opened. But instead of reliving the past, they pull together to bowl their best for Eli who stands to lose so much. Funny, sweet and soulful - SEX, DEATH AND BOWLING takes us on a journey to learn that the secret to life is loving what you have - even if it is just a split.

The year is 1173. England and France are at war. The destiny of the two great powers has never been so intertwined. As King Henry's wife, Queen Eleanor, is captured and imprisoned by the king himself, Richard and his brothers lead the fight against their father in a heartless war. Allegiances shift with each victory or defeat as the destinies of England and France keep swaying in a delicate balance.

17 years after the events of first movie, Choi Sung-hoon, Lee Han Dong's son, who grew up in abusive family, and has fallen to life of petty crime, ends up in jail, same one where Lee Jeong-suk is serving his sentence. Choi Sung-hoon's mother there visits Lee Jeong-suk and begs him to take her son under his protection. Being Lee Han Dong's childhood friend he agrees, and Choi Sung-hoon who never had any sort of proper role model in his life, is quickly swayed by this senior. But what will happen when Choi Sung-hoon learns why is Lee Jeong-suk sentenced in the first place?

Da-eun lives a happy life with her single father, a man who sacrificed everything in his life for her. She was a daughter who loved her father very dearly. However, their relationship is about to take an unexpected turn. Da-eun becomes suspicious that her father might be a monstrous kidnapper. Even though she wants to believe in his innocence, she finds herself searching for evidence to the contrary. What is her father's true identity? And how will she deal with the burden of discovery if her suspicions are confirmed at the end of her final pursuit of the truth?

Two brothers tour Charles Manson murder sites. One is a devoted family man. One is devoted to The Family.

The captain of a South Korean fishing trawler is offered his biggest payday yet. All he has to do is pick up a bunch of Chinese refugees off the mainland of China and bring them to South Korea. He takes the job and initially everything goes well. However, the plans are thrown into disarray when tragedy strikes.

Yeo Jang-Boo (Cha Tae-Hyun) possesses extraordinary visual acuity, he can sees everything in slow motion. He is able to see things that ordinary people cannot. When he was a little, people laughed at him. Afterwards, he spent the next 20 years at home watching TV dramas. Finally, Yeo Jang-Boo goes out into the world and becomes an ace at a South Korean CCTV control center. While doing his job, he saw his long crush childhood friend, Bong Soo-Mi (Nam Sang-Mi) and decide to chasing after her by using his expert in CCTV.

Fred and Mick, two old friends, are on vacation in an elegant hotel at the foot of the Alps. Fred, a composer and conductor, is now retired. Mick, a film director, is still working. They look with curiosity and tenderness on their children's confused lives, Mick's enthusiastic young writers, and the other hotel guests. While Mick scrambles to finish the screenplay for what he imagines will be his last important film, Fred has no intention of resuming his musical career. But someone wants at all costs to hear him conduct again.

A Jewel thief named Frank Stone is a very deeply disturbed, anti social, milquetoast who finds no joy or humor in anything - until he awakens from a deep coma.

In the suburbs of Tokyo some time ago, there lived a clumsy boy about 10 years old. There appeared in front of him named Sewashi, Nobita's descendant of four generations later from the 22nd century, and Doraemon, a 22nd century cat-type caretaker robot who helps people with its secret gadgets. Sewashi claims that his family is suffering from the debts Nobita made even to his generation, so in order to change this disastrous future, he brought along Doraemon as Nobita's caretaker to bring happiness to his future, although Doraemon is not happy about this. And so Sewashi installed an accomplishment program into Doraemon forcing him to take care of Nobita. Unless he makes Nobita happy, Doraemon can no longer go back to the 22nd century. This is how the life of Doraemon and Nobita begins. Will Doraemon succeed this mission and return to the 22nd century?

Set in both the late 80's and current day, "Back in the Day" is a gritty tale about Anthony Rodriguez (William DeMeo), a half Italian - half Puerto Rican young teenager growing up on the streets of Bensonhurst, Brooklyn; a then very dangerous and racist neighborhood filled with bullies, big shots and social clubs where all of the neighborhood shots were called. Anthony had to endure an abusive, unemployed, alcoholic father but was blessed with a nurturing, hard-working mother who he loses at a very early age and is devastated by it. In spite of his bitterness, he struggles to uphold the morals his Mother taught him and retain his dignity in spite of being up against all odds. He is taken under the wing of a local mob boss, Enzo DeVino (Michael Madsen), who supports Anthony's wishes to escape his demons through the sport of boxing. Enzo connects Anthony with a trainer (Danny Glover), who means business, and turns Anthony into a contender although his troubled life and friends, who seem to always get him into trouble, hinder his career. As he journeys into adulthood with the nearly impossible goal of achieving a successful professional boxing career, Anthony manages to not only go pro, but literally fight his way to the top and become a world champion middleweight boxer at an unlikely age. But not without love, loss of love, humiliation, retaliation and revenge playing roles in his journey to the top. But when he finally does make it to the top, who will be left of anyone Anthony has ever cared about, to share it with? And who will be left to get in the way of Anthony's success, and living his dream?

A World War II story from Puget Sound filmmakers: Shortly after D-Day, three American soldiers and two Army Corps nurses are stranded behind enemy lines. They take a high-ranking German officer as their prisoner and try to orchestrate an escape.

On a star filled night, widower and homeless man Thomas (Michael Pare) finds shelter for the night when he falls upon a vast two story house with the lights on and an inviting open front door. Alas the next morning he finds out swiftly that the premises won't let him depart. The doors are all locked, and the windows puzzlingly cannot be opened or broken. Destiny has brought Thomas to this place. Will he survive the ordeal?

Not far from the ancient Malian city of Timbuktu, proud cattle herder Kidane (Ibrahim Ahmed aka Pino) lives peacefully in the dunes with his wife Satima (Toulou Kiki), his daughter Toya (Layla Walet Mohamed), and Issan (Mehdi Ag Mohamed), their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become shadows but resist with dignity. Every day, the new improvised courts issue tragic and absurd sentences. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes abruptly.

Professional baduk player Tae-seok loses a high-stakes game to infamous underground gambler Sal-soo, and ends up framed for the murder of his own brother and locked up in prison. He vows revenge and trains ferociously. After serving his seven-year sentence, he gets in touch with his brother's former associate "Tricks," hermit and blind master player "The Lord," and skillful junkyard owner Mok-su; together, they begin formulating a plan to get back at Sal-soo and his men. Tae-seok slowly penetrates Sal-soo's inner circle and his gambling joint, and eliminates Sal-soo's men one by one. But Sal-soo discovers Tae-seok's true identity and engages him in one final game that will seal the fates of the two men involved.

Bangistan is a whip smart and uproarious satire on fundamentalism and the story of two unlikely terrorists, the antitheses of each other, with a common destructive goal. Concerned by the unrest in the name of religion, Subcontinental leaders of Muslims and Hindus, the Imam and the Shankaracharya, announce that they're attending the International Peace Conference in Krakow in a joint effort to help unite the two religions in perpetual harmony. Rival rabble-rousing ragtag organizations, the Islamist Al-Kaam Tamam and right-wing political party Maa Ka Dal separately recruit and brainwash Hafeez and Praveen to suicide bomb the conference so that they may continue to wield their local influence. After a rigorous, and hilarious, 'training' period the two men switch their religious identities to stay under the radar. Hafeez, the jihadi, masquerades as a conservative Hindu, Ishwarchand; while Praveen, the Hindu soldier, dons the garb of a practicing Muslim, Allahrakha. Focused on the mission, they reach Krakow and end up staying together in the same apartment. The two men go great lengths to protect their real identities from the world and each other as they acquire bombs and plan their mission, teetering on the edge of revelation at key moments. Their adventures involve a local cop on their scent and desperate to make a name for himself, the foxy pub owner who takes the two under her wings, a Bangladeshi fixer out to make a quick buck, the assortment of locals they meet, and the cultural impact of their exotic experiences in the city thrown into the mix. A series of serendipitous comic events ends in an epic, dramatic, finale that brings the world to Krakow and covers the range of emotions, leaving you breathless while sending across a universally affirmative message that all religions are but different doorways to the same destination.