Cuba, 1948. Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment. From Havana to New York, Paris, Hollywood and Las Vegas, two passionate individuals battle impossible odds to unite in music and love.

Lenny Freeman is a straight-laced old-school accountant with a dream; to become a famous stand-up comedian. The problem is he's not very funny. Not even close. When his mother dies, leaving him nothing but debt and her '53 Oldsmobile, Lenny hits the road to chase his dream in Vegas and auditioning for Monte Guy's annual "Stand-Up Stand-Off". Along the way (and against his better judgment) Lenny picks up a mysterious traveler named "Hitch" and his trip quickly turns from bad to worse when they stop at a small-town bar. Lenny jumps on stage as a warm-up act, but a run-in with a heckler leads to murder. Now with a dead body in his trunk, Lenny and Hitch are on the run. As the body count piles up, Lenny tries to free himself from his psychotic sidekick and escape to Vegas with the girl of his dreams. But Hitch won't shake so easily. They've got a contract. And the devil is in the details...literally. Not to mention the fact that all this blood and mayhem is having a strange side-effect on Lenny. It is actually improving his comedy.

DEIDRA & LANEY ROB A TRAIN is the story of two teenage girls who start robbing trains to make ends meet after their mom goes to jail. Set in present day, with shades of RAISING ARIZONA and LITTLE MISS SUNSHINE. Written by Shelby Farrell, with Sundance Film Fest alum Sydney Freeland (DRUNKTOWN'S FINEST) directing, and Susan Cartsonis (THE DUFF, WHAT WOMEN WANT) and Nick Moceri (A GIRL WALKS HOME ALONE AT NIGHT) producing.

Following an ace assassin who is double crossed by gangsters and falls into the hands of rogue surgeon known as The Doctor who turns him into a woman. The hitman now a hitwoman sets out for revenge, aided by a nurse named Johnnie who also has secrets.

When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.

In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met.

It's campaign season, and the students of Lincoln High are buzzing about who's going to be class president... But when a psycho dressed as Abraham Lincoln starts hacking up students, the candidates must run... for their lives. One-by-one, the mighty Lincoln Lambs are being slaughtered by the merciless maniac in the stovepipe hat. Everyone is dying for a vote...

In upstate New York, two teenage boys are tasked with cleaning out their father's old mobile home on an abandoned property, but the boys are in for a surprise when they discover three crooks on the run have taken refuge in the trailer.

Gettin' Square is about starting over, keeping clean and going straight. Barry Wirth is fresh out of prison and determined to stay on the straight and narrow. But like his mate Johnny 'Spit' Spiteri and reformed gangster turned restaurateur Dabba, he finds out the hard way that there are old scores and a few new ones that'll make getting square a lot harder than he thought.

Set in the future when the US economy is on the brink of yet another massive financial crisis, The Crash tells the story of Guy Clifton (Frank Grillo), a federally-indicted stock trader, who is secretly enlisted by the federal government to help thwart a cyber-attack aimed at the US stock markets - an attack that could permanently cripple the economy. Our 'richer than God' protagonist is charged with assembling a team capable of running the government's top secret 'shadow stock exchange' in an attempt to keep the markets from mass panic in the event the cyber-hijack is successful. Having only ever been fueled by his love of money, Guy fully intends to use his insider knowledge of this world catastrophe for personal gain until he unearths the organization behind the attack and discovers its motives. For the first time in his life, Guy is challenged to make decisions not only for himself, but also for the good of his country - decisions that are rooted in morality rather than dollar signs. This fast-paced, save-the-world thriller is a story of redemption that also challenges the audience to question if their money is safe, and if so, for how long.

Miller lives alone in an abandoned Alabama slaughterhouse. His memory and sanity are shattered and his only company is the spirit of his lover, who was murdered a decade ago. Ruth arrives, desperate to discover the truth about her mother's death. She stays with Miller for three nights. Together they piece together the fragments of his memory, but they are horrified at what they uncover.

A sheriff (Thornton) begins an investigation into the death of a local trans individual after hearing that high ranking politicians may have been involved. Although he is homophobic, his investigation causes him to be rejected by others, forcing him to seek help from the people he once despised.

As a tropical storm beats down on the island of Cebu, two sisters leave work and never make it home... Simultaneously a murder-mystery and an exposé of endemic corruption in the Philippines today, GIVE UP TOMORROW looks intimately at the case of Paco Larrañaga, a student accused of killing two sisters in July 1997. In a way that is both specific to the country and disquietingly universal, the film exposes a Kafkaesque extravaganza populated by flamboyantly crooked public officials, cops on the take, and a frenzied legal and media circus. GIVE UP TOMORROW is also an intimate family drama focused on the near mythic struggle of two angry, sorrowful mothers who have dedicated more than a decade to executing or saving one young man.

Moo-hyuk is journalist... but actually is not doing very well in his job. Thats why he probably get fired soon and his wife is threatening him with divorce. But just in that situation he stumbles upon a memo of a serial killer. Moo-hyuk takes the chances and writes a passionate article about it which makes him a star in the media. Of course, the police immediately starts to investigate the case, but finds no body. Also Moo-hyuk has no idea until he finds out that this memo was just part of Chinese novel called "Liang Chen Murder Record". In other words: Moo-hyuk has done quite some shit! He could loose his job, his respect and even has to go to jail. So Moo-hyuk has only the choice of clearing his "mistake" or giving the police and the public what they want: many many corpses.

Monsieur Verdoux is a bluebeard, he marries women and kills them after the marriage to get the money he needs for his family. But with two ladies he has bad luck.

A killer is given the gas chamber after committing several demonic murders. His spirit is released and given power by the Devil. Now the cop that caught him before must find a way to do it again.

In 1978, $20 million was stolen from a Detroit bank. One of the robbers was caught, one was found dead, and the third disappeared. The money was never found. Seven years later, the robber who was caught was released from jail. He immediately went to Miami, only to be found dead the next day. Now FBI agents Doug Bennet and Steve Forest have been called in to investigate the case while posing as Miami police officers. Somewhere in Miami the third robber is hiding with his $20 million, and he has a seven-year head start on the authorities.

Late one evening, Brenda Martin, a thirty-seven year old Caucasian woman from the proverbial wrong side of the tracks, enters Dempsy Medical Center in Dempsy, New Jersey with minor injuries, but she is also emotionally distraught. One of the people to who she tells her story is Dempsy Police Detective Lorenzo Council, a black man. That story is that she was just carjacked by another unknown black man when she took a shortcut that she had never traveled between the Armstrong housing projects, where she works at the Rainbow Club, a children's center, and her home in Gannon, New Jersey. Her emotional distress is because her four year old son, Cody, was asleep in the back seat of the car and is thus now in the hands of the carjacker. Brenda's brother, Danny Martin, a police detective in Gannon, cannot help but get directly involved in the investigation despite he operating outside his jurisdiction. His actions do not sit well with Council, who he insinuates is not only not doing his job, but is protecting his own "people", i.e. the primarily black populace in the Armstrong housing projects. In addition, the residents of the projects feel that Brenda is getting special treatment as a white woman, as several children have gone missing from the projects without such a frenzied police intervention, which is unnecessarily and unfairly disrupting their lives. Karen Collucci with Friends of Kent, a volunteer organization that conducts searches for missing children, also offers their services, which Council eventually accepts with the caveat that they work under his directive. "Kent" was Collucci's own son never found, his disappearance which destroyed her personal life. Through the process, Council can't help but think that Brenda isn't telling them the entire story...

Financially troubled, a newbie hitman reluctantly takes the job of finding the plotted killer of a Japanese tycoon, but things complicate when the tycoon is killed and he is forced to ally with a misfortunate hitman to find the "King of the Hitman."